This isn't really one question, it is three: what is rhythm made of in film editing? How is it shaped? And most importantly, what is it for? This 2 minute video contains the 26 word answer to all three questions, which is quicker than reading the first four chapters of Cutting Rhythms though maybe not quite as useful!
Film maker, teacher, writer, and speaker about screen & performing arts, author of Cutting Rhythms (Focal Press) & a director of Physical TV Co.
Women Film Pioneers Project: 'After the Facts - These Edits are my thoughts' publication
RealTime Profile of Karen Pearlman's research
Rochford St Press/Sarah St Vincent Welch review of the trilogy of films about Soviet women editors
Magdalena Ball/Compulsive Reader Review of the Trilogy
'Edited By', Su Friedrich's invaluable compendium of women editors
RealTime screendance portal